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ToeJam & Earl: Back in the Groove! Composed by: Burk Trieschmann, Cody Wright, Greg Johnson, John Baker, Mark Miller, Nick Stubblefield. Game: Toejam & Earl Song: Funkotronic Beat Composer: John Baker Above: Funkotronic Beat from Toejam & Earl Behold.
.: October 1991.: November 1991.: March 13, 1992,Mode(s),ToeJam & Earl is an developed by and published by for the console. Released in 1991, it centers on ToeJam and Earl— who have crash-landed on. As they attempt to escape the planet, players assume the role of either character and collect pieces of their wrecked spacecraft. ToeJam & Earl's design was heavily influenced by the, and took from it such features as the random generation of levels and items. It references and parodies 1980s and early 90s urban culture and is set to a soundtrack.The game was positively received by critics, who praised its originality, soundtrack, humor and two-player cooperative mode. It attained status despite low initial sales, and its protagonists were used as mascots by Sega.
ToeJam & Earl was followed by two sequels: and, released for the Sega Genesis and respectively. The sequels' commercial and critical success was mixed. A fourth title without Sega's involvement, was released on March 1, 2019 with funds from. The game was re-released for the 's in December 2006 and re-released again on and in November 2012. Contents.Synopsis ToeJam & Earl has been called a, comic, and a 'daringly commentary on Earthly life'.
ToeJam is red and has three legs. Earl is fat and orange. ToeJam wears a large gold medallion and a backwards baseball cap, while Earl is marked by and oversized sunglasses; both outfits are 'over-the-top appropriations' of 1990s. Their speech features.
The game is set to a soundtrack which has been described both as, and as. For the game's unique sound, composer John Baker was inspired by and.In the game's opening sequence, ToeJam explains that Earl's erratic piloting abilities have resulted in a crash-landing on planet Earth. He says that they must find the widely scattered pieces of their 's wreckage to return to their home planet, Funkotron. The player guides the characters as they avoid Earth's antagonistic inhabitants and search for the debris.
Should the player succeed, the final sequence depicts ToeJam and Earl escaping the planet in their reconstructed spacecraft. Under the player's control, the characters proceed across a purple landscape that represents Funkotron, and are greeted by their friends and family. Gameplay. ToeJam (above) and Earl (below) explore floating islands which represent Earth, while avoiding 'Earthlings' such as the devil seen on the top screen.ToeJam & Earl takes place from a in a game world.
Its gameplay mechanics were inspired by, which has led it to be compared to genres like. The game contains both single-player and two-player cooperative modes. The latter displays a single screen when both characters are near each other, but splits it apart when they are not. Playing the game with two players reveals dialogue and jokes between the characters not heard in the single player game.The game is set on Earth, which is represented by randomly generated islands that float in space, each one a layer above the last.
They are connected by elevators. Some islands contain pieces of spacecraft wreckage, of which the player must collect 10 to win the game.
The drops to the island below if he falls from an island's edge, which necessitates that the player again locate an elevator. Each island is populated by antagonistic 'Earthlings', such as phantom ice-cream trucks, aggressive packs of ', giant hamsters, man-eating mailboxes, and chickens armed with that shoot. Certain Earthlings aid the player. The game has been described as 'largely non-violent', as the protagonists can only attack enemies with thrown tomatoes—one of many temporary, randomly generated.Power-ups are contained in wrapped presents, which are categorized by appearance.
The contents of a present are unknown to the player until it is opened; afterwards, all presents of that appearance are identified. A certain type of NPC will also identify presents for a fee. Presents with question marks can hold any item at random, so their contents cannot be identified on sight alone.
Identification of presents' contents is a central gameplay mechanic. Each power-up has a unique effect: while one might increase the ' running speed, another distracts enemies. Certain presents contain harmful power-ups, such the loss of a 'life', or the 'Randomizer', which resets the identity of all presents. In the game's cooperative mode, if one player character opens a present in the vicinity of the other, its contents affect both characters.
As players open more presents, the chances of accidentally opening the Randomizer are increased, which prevents the game from becoming easier as more presents are identified. Development ToeJam & Earl creator became a fan of Rogue as a university student. After he left university, he worked on games for, including (1986).
After the completion of, Johnson conceived ToeJam & Earl—first the characters, then the plot—while on a beach in Hawaii. The idea was a combination of Rogue's gameplay concepts and a lighter version of Starflight's science-fiction themes. Johnson met programmer Mark Voorsanger through a mutual friend, while walking on in 1989.
He related the concept of ToeJam & Earl to Voorsanger, and the two resolved to make the game together. They formed Johnson Voorsanger Productions, and serious work on the game began soon after. Their status as commercial game designers allowed them to meet with Sega of America, and they used cards covered in landscape drawings to demonstrate their idea of randomly generated levels.
Sega marketing manager Hugh Bowen was immediately interested in the concept and he enlisted the aid of producer Scott Berfield to sell the game to management; Sega wanted innovative games and new mascots to compete with.The game's small development team was composed of Johnson's previous colleagues, and its music was composed by John Baker. The team's goal was to make a humorous game that was 'original, easy to understand and offered an immediate response to the player's actions'. The designers wanted to include a two-player mode so that they could play together, and considered ToeJam & Earl 'a two player game with a one player option.' While Sega believed that hardware issues would prevent the feature from working, Voorsanger successfully implemented it. In a 1992 interview with, Johnson stated that the characters ToeJam and Earl evolved as reflections of his and Voorsanger's personalities. Voorsanger disagreed, and called the characters 'two different aspects of Greg's personality'.
Has stated that he contributed character designs to the game. Reception ReceptionReview scoresPublicationScore87%87%91%93%ToeJam & Earl received positive reviews, which Bill Paris of described as 'almost unanimous critical acclaim'. However, Sega deemed it a commercial failure due to low initial sales. The game built a cult following through, and it was further aided by the Sega Genesis's Christmas 1991 sales spike, caused by the release of. ToeJam & Earl was later considered a 'cult' success. According to Ken Horowitz (2016, p. 74) author of Playing the Next Level: A History of American Sega Games, 'In all, the game sold 350,000 copies for Sega, a remarkable feat for such an unconventional title on a fledgling console.'
Picked the game as the #9 greatest game available in 1991, saying: 'Simply hilarious, from the Warner Bros. Cartoon-inspired sound effects to the rap songs players can improvise while using the control pad. 'found the game addictive and original, but found fault with its slow-paced combat.
One of the reviewers said, 'Not everyone will like it—it's not normal enough for mass appeal—but I think it's destined to become a massive cult classic'. Called the game's originality 'incredible', and praised its graphics, music and humor. Praised the graphics, and the 2-player option, and said the game was 'great fun - pure and simple'.said that it was 'An OK game, but one which becomes completely essential when played with someone else. Got any friends?
Haven't got any friends? Buy this and make some'. The game also appeared at number 26 on its list of the best games of all time. Praised the 'absolutely hilarious' sound effects and music. Jeff Csatari of called it 'another hot game' for the Sega Genesis, alongside Sonic the Hedgehog.
Ed Martinez of commended the game's soundtrack and unique concept, but found it to be too easy.A review published in both the and likened ToeJam and Earl to 'an outer-space, rap version of '. The reviewers called it 'the funniest game we've seen in a long time', and praised its soundtrack, graphics and action.acclaimed the game's 'hilariously designed split-screen two-player mode', and said, 'If you've got a Sega-Genesis system, you simply must check out this awesome rap 'n' roll game'.
Praised the game's 'no-repetitive action' and said, 'This is the zaniest game that ever rocked Sega's Genesis system.' Several months after the game's release, ranked it the 13th best Sega Genesis game in its All-Time Top 100 feature. The magazine praised the game's 'superbly manic and zany action', and deemed it both 'original and insane'. The video game programme gave the game a 70% rating.ToeJam & Earl was re-released on the Nintendo 's in 2006.
Scored the game 85%, and praised its humor, originality and two-player mode. However, the reviewer believed that the game's enjoyability had diminished with time. Felt that the game's 1990s idioms were dated, but that the gameplay—particularly the two-player mode—was still enjoyable by modern standards. Jeremy Parish of found the game's two-player co-operative mode more enjoyable than its single-player, and described the graphics and sound as 'oddly primitive'. Parish considered it 'one of the best games to hit VC to date'. 's reviewer negatively received the game, and believed its gameplay to be unsatisfying and overly slow. Called the game's visuals a 'mixed bag' and derided the slow pace, but praised its unpredictability and believed that its sound design was 'one thing you absolutely can't fault'.
Legacy ToeJam and Earl became 'one of Sega's second tier mascots, alongside Sonic', and one of the Sega Genesis's 'key exclusive franchises'. The characters appeared in a spin-off, Ready, Aim, Tomatoes, developed by Johnson Voorsanger Productions as one of six for the. In early 1992, the developers began work on a sequel to ToeJam & Earl, and spent three months expanding on the original game's concept by adding indoor areas and more terrain types. Sega was not impressed by the sequel, and believed it to be unmarketable. The team redesigned it as a, as Sega was inclined to publish games in this genre.
The game, titled, was highly anticipated, and was a commercial and critical success when it released in 1993. However, fans of the original game were disappointed by the change in design to a perceived generic style. Due to poor North American sales of the, Sega's next generation video game console, the ToeJam & Earl franchise was neglected. A ToeJam & Earl game planned for the was cancelled (a beta of the game was preserved, and on Christmas Day 2013 released on the internet by enthusiasts), but a third installment, was released for the Xbox in 2002. The release returned to the concepts of the original game, but generated mixed reviews and poor sales. A new ToeJam & Earl game is currently in development by HumaNature Studios.ToeJam & Earl has been called 'weird', 'strange', and 'thoroughly odd'.
Critics have difficulty in determining a genre for the game; it has been called a platform game and Roguelike, as well as action. While ToeJam & Earl 's success did not match that of the Sega Genesis's other popular titles, it has been considered a 'classic', and a 'cult' game. Prior to ToeJam & Earl III's conception, research by its developers found that the original ToeJam & Earl was preferred over its sequel.
In an survey, 65% of respondents cited it as their favorite of the three games. The game was set to be re-released on after winning a poll arranged by Sega, but this became uncertain because Johnson owns the rights to the characters rather than Sega. The game, along with its sequel, was announced as part of series for release on November 7, 2012, to be released individually on and as a collection on. The notion of a ToeJam & Earl game for the failed to generate interest from publishers, but Johnson has reiterated the possibility of such a game in the future. Greg Johnson would later be able to give Toejam and Earl a comeback with a new game called, which was made by his own independent game developing company HumaNature Studios, and was also made possible by Kickstarter fundraising.
Greg Johnson said he was able to make a new ToeJam and Earl game without needing a publisher, since the popularity of downloadable independent games, but came to publish the game as well as for retail copies. 's single has an off-handed reference to Toejam and Earl in the song.References. November 1991. Retrieved 16 December 2018.
September 1991. Retrieved 4 February 2016. Wii(R) バーチャルコンソール メガドライブ 公式サイト (in Japanese). Retrieved 3 March 2020. ^ Fahs, Travis (January 15, 2009). Retrieved December 4, 2016.
^ Hansen, David (April 7, 2009). Retrieved April 14, 2009. ^ Reed, Kristan (January 23, 2007). Retrieved April 8, 2009. ^ Julian Rignall and Edward 'Rad' Laurence, 'Mega Drive Review: ToeJam & Earl', Nov 1991 (issue 14), pp.
106–08. ^ Chip and Jonathan Carter, 'Inside the Video Games', Dec 17, 1991, Young Romans Supplement p. 5. ToeJam: 'We were cruisin' in our rocket, thumpin' out a funky beat, when big Earl said he'd like a shot in the driver's seat.
You should never let Earl drive. Yo, so here we are, chillin' out on the most insane planet in the galaxy, planet Earth! Thanks to Earl. All we have to do now, is find the 10 pieces of our rocketship and we can jet outta here. ToeJam & Earl, Sega, 1991.
^ (January 23, 2007). Retrieved June 18, 2016. ^ Harris, John (January 14, 2008). Retrieved April 8, 2009., Accessed Apr 8, 2009.
^ Jeremy Parish, Dec 29, 2006, Accessed Apr 13, 2009. ^ Wallis, Alistair (November 16, 2006). Retrieved April 6, 2009. ^ 'Jammin' Out With Greg Johnson and Mark Voorsanger', May/June 1992, pp. 38–39. Cifaldi, Frank; Carless, Simon (July 25, 2005). Retrieved April 6, 2009.
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![Toejam and earl music composer Toejam and earl music composer](https://www.geek.com/wp-content/uploads/2017/03/toejam-earl1.jpg)
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Retrieved 17 April 2018. Retrieved 17 April 2018.External links.
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